Just left the final session of Remix/Mashup 2009: The Future of Creative Production and Ownership at Ohio State’s Moritz College of Law, which explored the implications of mashup and remix in the world of Web 2.0. They reached out to me last fall and I couldn’t resist flying out — this was the first conference I’ve come across devoted to the video mashup, a media form that straddles art, politics and entertainment.
I’ll leave it to the attorneys and law students in the audience to dissect the proceedings, but here are a few high points:
• I was deeply impressed by the keynote presentation by Paul D. Miller, aka DJ Spooky, a multimedia artist, filmmaker and writer (“Sound Unbound”). Above is a photo I shot of him. (Feel free to remix; it’s under a Creative Commons license.) Some snippets from his keynote: “Artists no longer work in the bubble of a recording studio. The studio is the network.” … “The 20th century was the era of mass production. The 21st century is the era of mass customization,” with collective memories now dispersed and giving way to singular experiences culled from cultural motifs while plugged into an always-on ubiquitous network that lets us transform any media in digital form to our liking.